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GREMONT · BLACKOUT LINING
THE MATERIALS EDIT
A softer finish. A more considered way to quiet the daylight. Discover the white blackout lining behind your GREMONT Roman shade.
Explore the lining
01 / UNDERSTANDING LIGHT
A fabric can feel substantial and still glow at a bright window. Light may travel between yarns and through fibers; the lining changes the way that light reaches your room.
What matters is the complete fabric-and-lining combination. Density is only one part of the story.
Spacing, weave and yarn thickness influence the paths light can take.
Fiber type affects how light passes through and scatters within a fabric.
Coatings or backing, where used, can change light transmission.
The added lining and finished construction work with the face fabric.
02 / INSIDE THE SHADE
A decorative face fabric. White blackout lining behind it. A rear rod pocket sewn directly to that lining. Each has a place in the finished shade.
Texture reveals construction. It does not establish a yarn count or a light-blocking rating. Performance needs to be assessed across the complete material.
PHOTO PLACEHOLDER 03 / LIGHT STUDY
A useful comparison keeps the light source, sample setup and camera exposure the same. It identifies the actual materials being shown.
AI-generated concept only—not a test result. Real sample photography under documented, matching conditions will replace this illustration.03 / CHOOSE YOUR LIGHT
Keep the daylight soft, or make the room more subdued. Begin with how you want to use the space.
| YOUR PRIORITY | SOFT DAYLIGHTLight-filtering lining | A DARKER SETTINGBlackout lining |
|---|---|---|
| Light | Some daylight passes through for a softer glow. | Designed to reduce light through the shade more strongly. Edge light can remain. |
| Privacy | May soften the view in. Nighttime visibility depends on the fabric and indoor lighting. | Generally greater privacy through the covered fabric area. Gaps and uncovered glass still matter. |
| Atmosphere | Brighter, open and connected to the daylight. | More subdued, with stronger control of light through the shade. |
| Room | Living rooms, dining areas and daylight-friendly home offices. | Bedrooms, guest rooms and media spaces where less daylight is preferred. |
Compare real fabric samples in your own light. Available combinations depend on your chosen shade; privacy also depends on the complete window and lighting conditions.
04 / THE COMPLETE WINDOW
The face fabric, lining and finished construction control light through the shade. The installation determines where light can travel around it.
A highly opaque lining can still leave light visible at the sides, top or bottom of an installed Roman shade.
Weave, fibers, any coatings or backing, the lining, and finished seams or stitching all contribute. A close weave alone does not establish a light-blocking rating.
Inside mounting can leave perimeter gaps. Outside mounting may add coverage when the wall, trim and hardware allow it. Handles, frame shape, adjacent shades and direct sun can change the result.
ONE WINDOW / TWO MOUNTING APPROACHES
Mounting sketches are illustrative. They do not specify dimensions, predict performance or represent a light-sealed installation.
Fabric opacity and whole-window darkness are different. We do not promise a completely dark room or a gap-free installation.
05 / YOUR ROOM, CONSIDERED
Tell us about the room, your window and the light you want to reduce. We’ll help you consider a face fabric, lining and mounting approach that work together.
Find your lining combination